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by Dzifa Benson (Author)
The exciting and complex debut collection from Dzifa Benson, Monster is a bold and lyrical exploration of the Black female body as a site of oppression and resistance. At its heart is a study of the world of Sarah Baartman, aka the Hottentot Venus, a Khoikhoi woman from South Africa who was displayed in freak shows in 19th-century Europe. Baartman's voice is framed within the social, political and legal structures of the day, offering a unique perspective.
Other poems draw clear parallels with Benson's own experience as a Black woman born in London but raised in Ghana who returned to the UK at the age of 18. The collection is a mix of vivid lyricism, sometimes laced with dark humour, using complex poetry, monologue and theatrical devices. The influence of Shakespeare sits comfortably with references to Ewe mythology and history in a collection of wide scope and depth. This is a highly accomplished first collection by a mature voice. As one of a small group of published Black women poets, Benson makes an important contribution to current British poetry with the publication of Monster.
Author Biography
Dzifa Benson was born in London to Ghanaian parents and grew up in Ghana, Nigeria and Togo. She is an award-winning multidisciplinary artist whose work intersects science, art, technology, the body and ritual which she explores through poetry, prose, theatre, libretto, performance, curation, visual arts, immersive technologies, essays and criticism. She holds a Masters degree in Text & Performance from RADA and Birkbeck in London, and studied dramaturgy at the the John F Kennedy Center for the Performing Arts in Washington, DC. She was shortlisted for the inaugural James Berry Poetry Prize in 2021. Her first collection, Monster, is published by Bloodaxe Books in 2024. Her abridgement and adaption of the National Youth Theatre REP Company's 2021 production of Othello, in collaboration with Olivier award-winning director Miranda Cromwell, toured the UK and she is currently in the pre-production, dramaturgical stage of her first full length play Black Mozart // White Chevalier.
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