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by Carlos Pascual (Author)
En un claro homenaje a las extraordinarias aventuras de Julio Verne, y con un sentido del humor excepcional, Carlos Pascual hace gala una vez más de su destreza literaria para narrarnos un evento verídico en la historia de México que parece, sin embargo, sacado de una estrafalaria obra de ficción.
1874. Se aproxima el gran evento astronómico del siglo, el tránsito de Venus, que permitirá calcular la distancia entre el Sol y la Tierra, y la comunidad científica está conmocionada. El presidente Sebastián Lerdo de Tejada, movido por el espíritu de su tiempo y asesorado por un grupo de expertos, decide insertar a México en la modernidad y crea la Comisión Astronómica Mexicana, encargada de llegar a las costas de Japón para tomar las tan esperadas mediciones. Es así como cinco científicos mexicanos --entre los que se encuentra Francisco Díaz Covarrubias-- se embarcan en un periplo de varios meses sin tener idea de las aventuras que los esperan. Después de un accidentado trayecto a Veracruz, una confusión diplomática en Cuba, una cuarentena obligada en Filadelfia, una trifulca con los apaches y un dramático naufragio, llegarán por fin a las playas niponas, donde instalarán su campamento. Logrará México participar en la carrera internacional por conquistar el espacio? ENGLISH DESCRIPTION In clear homage to Jules Verne's extraordinary adventures, and with an exceptional sense of humor, Carlos Pascual flaunts his literary mastery once more to tell us a true story in Mexican history that nevertheless seems taken from an outlandish work of fiction.1874. The great astronomical event of the century approaches: the transit of Venus, after which it will be possible to calculate the distance between the Earth and the Sun, and the scientific community is in shock. President Sebastián Lerdo de Tejada, moved by the spirit of his time and advised by a group of experts, decides to direct Mexico towards modernity and create the Mexican Astronomy Commission, responsible for going to Japan and take the much-awaited measurements. And that is how five Mexican scientists--Francisco Díaz Covarrubias among them--embark on a several-month-long periplus, unaware of the adventures that awaited them. After a rough journey to Veracruz, a diplomatic mix-up in Cuba, a forced quarantine in Philadelphia, a brawl with the Apache, and a dramatic shipwreck, they finally arrive on Japanese shores, where they will set up camp. Will Mexico be able to take part in the international race to conquer space?
Author Biography
Carlos Pascual: ha recorrido los caminos de la literatura, el teatro, la música, la ópera y el guionismo. Asistió a los seminarios de narrativa de Juan José Arreola y Jorge López Páez; a los de dramaturgia de Hugo Argüelles y los de guionismo de Robert McKee. Ha publicado varios libros de cuento, teatro y ensayo, y ha montado una veintena de obras teatrales escritas por él. Todas sus novelas han sido publicadas por Penguin Random House: El retablo rojo, La insurgenta, El pirata de la red, La luna sin ombligo, Memorial de cruces, La niña que adelantó el Gran Reloj y Matilde. Ha recibido el Premio Nacional de Periodismo, el Grijalbo de Novela por La insurgenta, el Internacional Dramafest por Naufragio del futuro y el Nacional de Dramaturgia Emilio Carballido por Dragón de sangre. La producción de la teleserie El encanto del águila, escrita por él, obtuvo el Premio Internacional de Periodismo Rey de España. En 2022 su obra In nomine patris fue estrenada en España y en 2023 la Compañía Nacional de Teatro le encomendó la escritura de La conversión del diablo. Para las pantallas ha escrito Gritos de muerte y libertad, Réquiem por Leona Vicario, Un extraño enemigo, El grito que sacudió a México, El hotel de los secretos, Mujeres asesinas, Teatro Estudio y el largometraje El camino de Xico. Por el guion de Una selfie fue nominado como mejor guionista en lengua extranjera en el Festival Internacional de Cine de Milán. El tránsito de Venus es la segunda parte de una trilogía sobre el desarrollo de la ciencia en México en el siglo XIX.
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