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by Valentina Rozas-Krause (Editor), Andrew M. Shanken (Editor), Carolina Aguilera (Contribution by)
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape--the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion.
The book's thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism--all anchored in the bedrock of cultural remembrance. Rich in the range of cases discussed, the book sifts through multifaceted representations of women, from Marians to Liberties, to handmaidens, to particular historical women. Breaking the Bronze Ceiling offers a panoramic view of worldwide memorials, critically analyzing grandiose tributes while also honoring subtle gestures--be it evocative plaques, inspiring namesakes, or dynamic demonstrations. The book will be of interest to historians of art and architecture, as well as to activists, governmental bodies, urban planners, and NGOs committed to regional history and memory. More than a mere compilation, Breaking the Bronze Ceiling epitomizes a movement. The book comprehensively assesses the portrayal of women in public art and offers a fervent plea to address the severe underrepresentation of women in memorials. Contributors: Carolina Aguilera, Manuela Badilla, Daniel E. Coslett, Erika Doss, Tania Gutiérrez-Monroy, Daniel Herwitz, Katherine Hite, Lauren Kroiz, Ana María León, Fernando Luis Martínez Nespral, Pía Montealegre, Sierra Rooney, Daniela Sandler, Kirk Savage, Susan Slyomovics, Marita Sturken, Amanda Su, Dell Upton, Nathaniel Robert Walker, and Mechtild WidrichBack Jacket
"This powerful book asks why women have been so underrepresented in public memorials and how distortion and debasement have played a part in how women have been remembered. Breaking the Bronze Ceiling makes a strong case for how cultural memory--and its mismanagement--have been controlling factors in the treatment of women in public art. The range of approaches makes the chapters lively and thought-provoking."--Susan G. Solomon
Breaking the Bronze Ceiling uncovers a glaring omission in our global memorial landscape--the conspicuous absence of women. Exploring this neglected narrative, the book emerges as the foremost guide to women's memorialization across diverse cultures and ages. As global memorials come under intense examination, with metropolises vying for a more inclusive recognition of female contributions, this book stands at the forefront of contemporary discussion. The book's thought-provoking essays artfully traverse the complex terrains of gender portrayal, urban tales, ancestral practices, and grassroots activism--all anchored in the bedrock of cultural remembrance. Rich in the range of cases discussed, the book sifts through multifaceted representations of women, from Marians to Liberties, to handmaidens, to particular historical women. Breaking the Bronze Ceiling offers a panoramic view of worldwide memorials, critically analyzing grandiose tributes while also honoring subtle gestures--be it evocative plaques, inspiring namesakes, or dynamic demonstrations. The book will be of interest to historians of art and architecture, as well as to activists, governmental bodies, urban planners, and NGOs committed to regional history and memory. More than a mere compilation, Breaking the Bronze Ceiling epitomizes a movement. The book comprehensively assesses the portrayal of women in public art and offers a fervent plea to address the severe underrepresentation of women in memorials. Contributors: Carolina Aguilera, Manuela Badilla, Daniel E. Coslett, Erika Doss, Tania Gutiérrez-Monroy, Daniel Herwitz, Katherine Hite, Lauren Kroiz, Ana María León, Fernando Luis Martínez Nespral, Pía Montealegre, Sierra Rooney, Daniela Sandler, Kirk Savage, Susan Slyomovics, Marita Sturken, Amanda Su, Dell Upton, Nathaniel Robert Walker, and Mechtild Widrich Valentina Rozas-Krause is Assistant Professor in Design and Architecture at Universidad Adolfo Ibáñez, Chile. Andrew Shanken is Professor of Architectural History and the Director of American Studies at the University of California, Berkeley.Author Biography
Valentina Rozas-Krause (Edited By)
Valentina Rozas-Krause is Assistant Professor in Design and Architecture at Universidad Adolfo Ibáñez in Chile and Harvard University Radcliffe Institute for Advanced Study Fellow (2023-24). She is the author of Ni Tan Elefante, Ni Tan Blanco (Ril, 2014) and the coedited volume Disputar la Ciudad (Bifurcaciones, 2018). These books join peer-reviewed articles in History & Memory, e-flux, Latin American Perspectives, Memory Studies, Anos 90, ARQ, Revista 180, Cuadernos de Antropología Social, and Bifurcaciones alongside chapters in Golpes a la Memoria (Tege, 2019) and Neocolonialism and Built Heritage (Routledge, 2020).
Andrew Shanken is Professor of Architectural History and the Director of American Studies at the University of California, Berke-ley. He is the author of 194X: Architecture, Planning, and Consumer Culture on the American Homefront (University of Minnesota Press, 2009) and The Everyday Life of Memorials (Zone Books, 2022).
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